I've Got the World on a String

Charlie Byrd Trio

Label: Timeless Jazz Legacy
Format: CD
Barcode: 0608917450422
Catalog number: TJL 74504
Releasedate: 01-10-10
Charlie Byrd throughout I've Got The World On A String shows that his acoustic guitar, gentle style and melodic trio (along with some surprising vocals) work very well with swing era songs. This surprising album is one of the highpoints of his final decade..
  • Charlie Byrd, most famous for his bossa nova recordings and renditions of Brazilian music, is featured on this CD mostly playing swing era songs quite effectively with his regular trio.
  • For only the second time in his career, Byrd is heard taking vocals, singing with charm on the program's first six selections.
  • Charlie Byrd, bassist Joe Byrd and drummer Chuck Redd perform melodic and exquisite versions of a variety of jazz standards, a fresh repertoire for the guitarist.
Charlie Byrd - guitar, vocals
Joe Byrd - bass
Chuck Redd - drums

Recorded at Studio Murec, Milano
Recording dates: 4 and 5 July 1994.

Say the name Charlie Byrd and most people immediately think of Brazilian music. Charlie has earned a place in music history for introducing a wide audience in the United States to the sound that came to be known as bossa nova. In 1962, the guitarist went into a church in Washington, D.C., with his regular group - augmented by saxophonist Stan Getz - to record an album that's become a classic: Jazz Samba.
Many people think the record was Getz's - but it was Charlie's date...his wife Ginny had the idea of asking the saxophonist to join the group. One of the Antonio Carlos Jobim tunes on the album, Desafinado, went to the top of the charts. It's a testament to the late Brazilian composer's music AND to the playing of the musicians that a 5:47 instrumental struck such a chord with listeners that it was played regularly on Top 40 radio right alongside of the 3:00 pop songs of the day. Charlie and his trio pay tribute to Jobim on this recording, with a performance of the composer's So Danca Samba. Check out Joe Byrd's bass playing...both his solo and the way he opens the tune with a figure that sounds like the melodic phrase from John Coltrane's A Love Supreme.
Charlie Byrd does a LOT more than play Brazilian music, though, he's steeped in the blues AND he sings. This recording will give you a taste of both. Charlie grew up in the Tidewater area of Virginia and started out playing country blues with his father and his friends in rural string bands. He was playing with a pick then...he didn't switch to the finger-style technique for which he's so well-known today until he studied classical guitar with the legendary teacher, Sophocles Papas, in the early 1950's. Charlie was one of the first... and certainly one of the most play blues and jazz using classical technique on a nylon string's NOT easy. The blues informs Charlie's interpretations of the Ellington tunes he plays here.

Charlie has always liked to sing. That's one of the reasons he wanted to make this recording. He's only been featured singing once before on record - on one of his old Columbia albums. His singing voice is just as sweet and soft and tinged with his lovely Southern accent as his speaking voice. It's just right for such songs as Blue Skies and Gee Baby, Ain't I Cood To You?

The other thing that Charlie wants to do with this record is spotlight his regular trio. Charlie, his brother Joe, and drummer Chuck Redd have been working as a tight unit for 14 years...yet they haven't been recorded that much. Joe is an excellent bass player who also sings (though not on this recording) in a style that recalls Mose Allison. Chuck Redd is one of the most respected young drummers on the D.C. scene. He's got big ears - you often see him at the clubs, after he's finished playing his own gigs, checking out the other musicians.

It's always a pleasure to hear the Charlie Byrd trio...and it's often a surprise. Even if you know his music well, you sometimes slip into making that instant connection: 'Charlie Byrd = Brazilian music.' It's a treat to hear... much else he can do.
Tom Cole
Charlie Byrd (1925-99) started out as a Charlie Christian-inspired guitarist. While in France during World War II, he met his other idol, Django Reinhardt. After freelancing in the jazz world, Byrd spent much of the first half of the 1950s studying classical guitar including with Segovia. In Washington D.C. he formed a trio that explored Brazilian music and also had a stint with Woody Herman.
During a tour of South America in 1961, Byrd discovered the bossa nova movement. He told Stan Getz about it and together they recorded the classic Jazz Samba which had a hit version of Desafinado and launched bossa nova in the United States. Byrd symbolized the music during the remainder of his life, recording regularly and leading his own trio. He also held his own in the Great Guitars, a boppish unit that featured Herb Ellis and Barney Kessel. Byrd was a popular performer up until the time of his death in 1999.