The Domestication of the Animal World

Allmand

Paduana

Galliard

Allmand

Volta

Masquerade

Allmand

Fantasia a 6

In Nomine a 5 'Crye'

In Nomine a 6

Browning a 3

Browning a 5

Hugh Ashton's Maske

From The Lord's Masque (1613): The Domestication of the Animal World: The Signal for the Masque Prelude

From The Lord's Masque (1613): The Domestication of the Animal World: The Entry of Orpheus with Harp and Silver Byrd in Hand

From The Lord's Masque (1613): The Domestication of the Animal World: The Harp Voluntary

From The Lord's Masque (1613): The Domestication of the Animal World: The Camel's Dance

From The Lord's Masque (1613): The Domestication of the Animal World: The Nightingale's Response

From The Lord's Masque (1613): The Domestication of the Animal World: A Harp Improvisation

From The Lord's Masque (1613): The Domestication of the Animal World: The Bear's Dance

From The Lord's Masque (1613): The Domestication of the Animal World: A Harp Improvisation

From The Lord's Masque (1613): The Domestication of the Animal World: The Hare's Dance

From The Lord's Masque (1613): The Domestication of the Animal World: A Harp Extemporization

From The Lord's Masque (1613): The Domestication of the Animal World: The Hound's Dance

From The Lord's Masque (1613): The Domestication of the Animal World: A Harp Extemporization

From The Lord's Masque (1613): The Domestication of the Animal World: The Bee's Dance

From The Lord's Masque (1613): The Domestication of the Animal World: A Harp Extemporization

From The Lord's Masque (1613): The Domestication of the Animal World: The Swan's Dance

From The Lord's Masque (1613): The Domestication of the Animal World: Consort a 5

From The Lord's Masque (1613): The Domestication of the Animal World: The Animals Tamely Placed

From The Lord's Masque (1613): The Domestication of the Animal World: A Harp Improvisation