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Space Time Continuum

Space Time Continuum

Aaron Diehl

Label: Mack Avenue
Format: CD
Barcode: 0673203109421
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Catalog number: MAC 1094
Releasedate: 05-06-15
- 29-year-old pianist-composer Aaron Diehl follows his appraised debut album solidly with the 2015 release Space,Time,Continuum.

- On Space,Time,Continuum, Diehl assembles a pan-generational ensemble of masters.

- Line up
bassist David Wong
drummer Quincy Davis
tenor saxophonist-composer Benny Golson
baritone saxophonist Joe Temperley
saxophonist Stephen Riley
and the rising star trumpeter Bruce Harris

- Diehl: “I understand the jazz language as a continuum—threading together the evolution of jazz as a continual, interrelated stream of development to create a sound that’s neither old or new, but simply a landscape where we could all communicate.” 
Widely lauded for his 2012 Mack Avenue debut, The Bespoke Man’s Narrative, 29-year-old pianist-composer Aaron Diehl follows solidly with the 2015 release Space,Time,Continuum. On The Bespoke Man’s Narrative, Diehl presented original music drawing on antecedent bandleader-composers like John Lewis and Duke Ellington for strategies that facilitated individualistic performances from his unit of A-list peers. On Space,Time,Continuum, Diehl assembles a pan-generational ensemble of masters. Joining his core trio of bassist David Wong and drummer Quincy Davis, in different configurations, are the iconic tenor saxophonist-composer Benny Golson and the magisterial baritone saxophonist Joe Temperley,
both 85 years young; the 39-year-old underground tenor saxophone giant Stephen Riley; and the rising star trumpeter Bruce Harris.

“It’s important to use both contemporaries and elders as sources of inspiration,” Diehl says. He is particularly pleased at “the opportunity to play and improvise with living legends” Golson and Temperley. Diehl, who chooses words as carefully as notes, sums up his intentions: “I understand the jazz language as a continuum—threading together the evolution of jazz as a continual, interrelated stream of development to create a sound that’s neither old or new, but simply a landscape where we could all communicate.”