Label: Musikmanufaktur Berlin
Format: CD
Barcode: 4260085534470
Catalog number: MMB 447
Releasedate: 12-06-15
Format: CD
Barcode: 4260085534470
Catalog number: MMB 447
Releasedate: 12-06-15
- Re discovery of a main player in the musical world of the middle of 19th century in mid Germany
- Conductor and musical Director in Leipzig and Dresden
- Conducting also premieres of Richard Wagner operas
- Great admirer of Wagner and his time
- His string quartets are a real discovery for chamber music lovers.
C. G. REISSIGER taught composition in Berlin, until he was appointed as Hofkapellmeister to succeed Weber in Dresden. He remained in this office until his death in 1859. Under Reissiger's direction the Dresden Court Opera became world famous. In 1842 Reissiger conducted the premiere of Richard Wagner's Rienzi and was involved in Wagner's appointment as second Kapellmeister after the premiere of Fliegender Holländer.
For over 30 years Reissiger Reissiger was one of the musical magnates in central Germany,and along with Mendelssohn the most prominent Kapellmeister. Reissiger's string quartets follow the classicist romantic tradition, not unlike that of Mendelssohn and Schumann. From time to time the influence of operatic music is perceptible, both the German tradition of his predecessor Weber, and the Italian tradition of Rossini and Donizetti, popular at the time in Dresden. There are clear reminiscences of Reissiger's idol
Franz Schubert (as in the slow movement of the B minor quartet) and of his Leipzig colleague Felix Mendelssohn (as in the 'whispering' Scherzo of the A major quartet).
Nonetheless Reissiger’s music has much individuality – the liaison of different styles is evidence of his
cosmopolitan literacy. In a unique way he combines German and Italian stylistic qualities.
For over 30 years Reissiger Reissiger was one of the musical magnates in central Germany,and along with Mendelssohn the most prominent Kapellmeister. Reissiger's string quartets follow the classicist romantic tradition, not unlike that of Mendelssohn and Schumann. From time to time the influence of operatic music is perceptible, both the German tradition of his predecessor Weber, and the Italian tradition of Rossini and Donizetti, popular at the time in Dresden. There are clear reminiscences of Reissiger's idol
Franz Schubert (as in the slow movement of the B minor quartet) and of his Leipzig colleague Felix Mendelssohn (as in the 'whispering' Scherzo of the A major quartet).
Nonetheless Reissiger’s music has much individuality – the liaison of different styles is evidence of his
cosmopolitan literacy. In a unique way he combines German and Italian stylistic qualities.
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1String Quartet in B Minor, Op. 111 No. 2I. Allegro con espressione - Allegro moderato ma appassionato12:02
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2String Quartet in B Minor, Op. 111 No. 2II. Andante con moto e fantastico08:06
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3String Quartet in B Minor, Op. 111 No. 2III. Scherzo. Presto - Trio08:15
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4String Quartet in B Minor, Op. 111 No. 2IV. Rondo Finale. Allegro brillante ma non troppo06:12
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5String Quartet in A Major, Op. 111 No. 1I. Allegro moderato10:02
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6String Quartet in A Major, Op. 111 No. 1II. Scherzo. Presto - Trio06:49
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7String Quartet in A Major, Op. 111 No. 1III. Adagio espressivo09:30
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8String Quartet in A Major, Op. 111 No. 1IV. Finale. Vivace07:19