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Hopp (and Smile) / Monsterjazz

Hopp (and Smile) / Monsterjazz

Karl Seglem & Christoph Stiefel Group

Label: Challenge Records
Format: CD
Barcode: 0608917344929
barcode
Catalog number: CR 73449
Releasedate: 07-09-18
- 2 CD set: one for adults and one for the children
- There are two projects in one, only CD 1 is for people who consciously grasp the music, and CD 2 is more for young listeners who unconsciously engage in it out of curiosity.
- 2 CD's for the price of 1 CD
Who is afraid of monsters?
 
Already Friedrich Nietzsche knew that a child is hidden in each of us – to transform him into our time – a child who wants to play. In hardly any other activity does this childlike pleasure in playing manifest itself in adults as genuinely as it does when they play music. In particular, improvisation should be about nothing more than playing with all available and imaginable components of a given context. This is also how the Swiss-Norwegian alliance, based on the pianist Christoph Stiefel and saxophonist Karl Seglem, sees it. When children build castles in the sand, it is easy to see that their entire architecture is based on improvisation. Who would imply that the child does not work with the utmost seriousness? Painters such as Paul Klee and Joan Miró, but also the poet Ernst Jandl, have transferred this playful seriousness or serious playfulness into high culture. Even Seglem and Stiefel fall back on the same intuitive handling of the spontaneously feasible, but they not only incorporate the childlike and all-too-childlike, but turn to children from 5 to 99 and call the whole thing Hopp (and smile!) and Monsterjazz.
 
Optimally tested – live in front of small and large or young and old children – the band went into the studio in 2016 and is now releasing a brightly colored double CD with short collective improvisation and melodic threads that run throughout the entire album. The album consists of two separate parts, each of which belong together in content and aesthetics, but stand for different angles of the musical process. The length of both CDs together corresponds to that of a single CD, but already when you listen to them fleetingly, you hear revealed a different narrative attitude.
 
The first CD is entitled Hopp (and smile!). Although it is based on how children experience music, it is explicitly aimed at the experienced listener, one who knows how to consciously focus his or her spontaneous perceptions. Here, the clarity of the playful sequence is at least as important as the immediate expressive impulse. The second CD, Monsterjazz - An Interactive Jazz Journey For All Ages, contains the Monsterjazz program for children. This shrill, playful program makes you feel like you're digging in a huge old wooden box with colorful marbles. What could be hidden under the visible? The familiar triggers the unknown, and when the unknown transforms into something known, a new unknown waits beneath the surface. Maybe a monster. Improvisation as a mystery play of the elements. The protagonists do not hide behind a sugared Pippi Longstocking aesthetic, but take the child in the child as seriously as the child in the adult. Children, no matter their age, are radical, and so is this music.
 
Stiefel and Seglem spent a lot of time thinking about how they can disentangle the two ideas so they can and should get into each other’s way, but do not have to. They then opted for a double album of two separate CDs. The dreadful times in which it was obligatory to cram full a CD with 75 minutes of music are, thank God, over. “On Monsterjazz we emphasize, more than on the other CD, the childlike in ourselves, which allows us to paint with the big brush,” explains Christoph Stiefel. “Depending on your personal preference, the listener can first focus on one or the other mood and discover the other world from there.”
 
In the process, the music should not give the impression, however, that one wants to separate the world of children from the standards of adults. Indeed, the smoking area is not separated from the crawling area, but rather it is about one and the same access to music. There are two projects in one, only CD 1 is for people who consciously grasp the music, and CD 2 is more for young listeners who unconsciously engage in it out of curiosity like from a shoe box full of crayons, a toy highway or a wrestling match in the high grass. But only together do they make a whole.
 
Perhaps it can also be compared to a two-act play in which each act is directed to a specific audience, but which invites the other audience at the same time. This is how Seglem and Stiefel – together with singer Jullie Hjetland Jensen, bassist Trygve Waldemar Fiske and drummer Kåre Opheim – succeed in making the performance character audible in an exemplary way on their double CD. The five musicians not only represent themselves and the community of the group, they also create the space in which their scenario unrolls. With their 3D project, Christoph Stiefel and Karl Seglem succeed in no less than in opening jazz up to new listeners and perspectives. And last but not least, they give their monsters back to jazz.
 
Wolf Kampmann, June 2018 – translated by Bruce Carnevale
CHRISTOPH  STIEFEL  Born  in  Zurich,  Switzerland  in  1961,  the  pianist  became  a  permanent  band  member  of  Andreas  Vollenweider  &  Friends  at  the  age  of  23.  He  toured  with  the  band  from  1984  to  1989  through  Europe,  Australia,  Japan  and  the  USA.  Around  the  same  time  he  decided  to  drop  out  of  law  school,  he  began  to  work  on  his  own  projects,  with  which  he  has  already  produced  and  published  16  CDs internationally.  After  his  earlier  musical  interests  inspired  him  to  create  projects  in  world  music,  Nujazz,  Fusion  and  even  to  compose  a  “classical”  concert  for  piano,  two  percussionists  and  string  orchestra  (world  premiere  in  1998),  he  has  turned  intensively  to  jazz  piano  music  and  composition  in  the  last  15  years.  He  became  well  known  internationally  in  the  last  few  years,  in  particular,  for  his  own  compositional  style,  through  which  he  has  created  a  contemporary  type  of  jazz  by  using  a  compositional  technique  from  the  Middle  Ages  (isorhythm)  –  his  music  oscillates  between  intensive  grooves  and  tonal  color  painting  in  a  fascinating  manner.  For  years,  he  has  fostered  this  compositional  style,  mostly  in  his  “Inner  Language  Trio”,  which  manages  the  balancing  act  between  precise  conceptual  work  and  unleashed  improvisation  with  such  aplomb  as  few  other  formations  in  the  current  jazz  scene.  Stiefel’s  extraordinary  compositions  as  well  as  his  special  way  of  playing  the  piano  have  opened  the  doors  to  interesting  new  projects,  among  others,  a  duo  performance  with  the  Japanese  dancer  Hideto  Heshiki,  a  duo  with  the  vocalist  Lisette  Spinnler,  the  foundation  of  the  septet  “Christoph  Stiefel  Septet”  along  with  several  of  the  best  Swiss  and  German  jazz  musicians,  as  well  as  a  new  band,  the  “Karl  Seglem  &  Christoph  Stiefel  Group”  with  excellent  musicians  from  Norway  and  Denmark  (CD  release  “Waves”  on  Challenge  Records  2015).  His  newest  CD  “Christoph  Stiefel  Piano  Solo  –  Sofienberg  Spirits”  was  recorded  november  2016  in  Oslo  in  the  wonderful  Sofienberg  church,  and  will  be  released  by  nWog  Records  in  february  2018,  followed  by  several  Solo  concerts  in  Germany  and  Switzerland.  Since  2000,  Christoph  Stiefel  has  been  an  instructor  for  piano  and  keyboards  in  the  Jazz  Department  at  the  Lucerne  University  of  Applied  Sciences  and  Arts.  In  2012,  he  received  a  cultural  award  –  a  one-year  working  grant  –  from  the  City  of  Zurich,  called  “Werkjahr  Jazz.”The  CD  Christoph  Stiefel  Septet  "RHYTHM-A-TIZED"  (Challenge/NewArts  2016)  has  been  nominated  for  the  prestigious  GERMAN  RECORD  CRITICS  AWARD!