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Ruralia Hungarica / Humoresken in Form einer Suite
Ernst von Dohnányi

Ruralia Hungarica / Humoresken in Form einer Suite

Valentina Tóth

Label: Challenge Classics
Format: CD
Barcode: 0608917277524
barcode
Catalog number: CC 72775
Releasedate: 27-09-18
- Bartók, Kodály and Ernö Dohnányi (who often used his German name Ernst von Dohnányi) are the three great composers of twentieth-century Hungary.
- Dohnányi’s piano music is both rooted in late Romanticism (especially connected to Brahms) and in Hungarian folk music.
- After a critically acclaimed disc devoted to Bartok and Kodaly (“It is beautiful how Valentina Toth makes great art from this close to folk music leaning miniatures”. Klara Radio), here is the last composer of the great Hungarian triad. 

Live:
6 oktober - Waalse Kerk, Amsterdam
7 oktober - Kasteel Amerongen in Amerongen
12 oktober - Kasteel Aerwinkel - Posterholt
13 oktober - Paleiskerk, Den Haag
14 oktober - Karmelklooster, Drachten
20 oktober - Willem Twee Concertzaal, Den Bosch
21 oktober - Doopsgezind Kerkje, Winterswijk
28 oktober - De Engelenbak, Zaltbommel
1 november - Museum de Buitenplaats, Eelde
Valentina Toth: “Although they were not musically trained, my parents taught me to love Bartók and Kodály. I treasured their music from the time I was young, and only became acquainted with Dohnányi’s work much later, when I came in contact with it by accident. It was romantic, virtuoso and incredibly well written for the instrument. What more can you ask as a concert pianist? And although he may only seem rather less distinctly Hungarian than Bartók, many aspects of his country are reflected in his work. I remember when I was working on the Ruralia hungarica, my father recognised many of the melodies from the songs he had learned as a boy.”
As a composer, Dohnányi, whose oeuvre mainly consists of piano music, deep in his heart always remained a musician grounded in nineteenth-century Romanticism.

Dohnányi wrote Ruralia hungarica in 1923 and gave it a real Hungarian touch by including a wide range of folk melodies in all movements.

The Humoresken Op. 17 from 1907 date from when he taught in Berlin. They are basically romantic in nature and now and then reminiscent of Brahms’s piano music. As the name suggests, these are more or less light-hearted character pieces, in which he draws on musical forms from the eighteenth century.

Look and listen to the beautiful videoclip of Valentina.