Kermit Ruffins

Label: Basin Street
Format: LP 12inch
Barcode: 0652905010518
Catalog number: BSRLP 01051
Releasedate: 05-10-18
- First vinyl product ever with both Kermit Ruffins and Rebirth Brass Band
- Iconic album put on vinyl in celebration of Basin Street Records 20th anniversary
In 2005, Basin Street Records released this outstanding album reuniting Kermit Ruffins and Rebirth Brass Band. Now, as part of the Basin Street Records 20th anniversary celebration, the album has been remastered and redesigned for vinyl! Coming in September 2018, the vinyl can be purchased from the Basin Street Records website NOW. All purchases of vinyl from the Basin Street Records website include a digital download of the album. Also available exclusively from the BSR website are the limited quantity of 100 signed (by Kermit Ruffins) and numbered copies. Hear what these critics have to say about this iconic album:
New Orleans native Kermit Ruffins was aptly born on the birthday of one of that city’s most deservedly heralded masters of music, Professor Longhair. The trumpet player came blasting out of high school with the Rebirth Brass Band. Formed with tuba player Philip Frazier, the ensemble stormed across 10 years, several continents, and 7 albums before [Kermit left the band] in 1992. Here reconvened, they’ve lost none of their exuberant flair and verve. The seven originals by Ruffins are mixed with numbers by the city’s current elder statesman, Mac Rebennack, as well as Ray Charles, Mildred Hill’s perennial “Happy Birthday,” and more. Unobtrusively produced, the set bristles with the immediacy of a true celebration. — David Greenberger
The reunion of the RBB with its original trumpet man-who left to get off the road and explore a solo career-explodes with the enthusiasm of a backyard barbecue, with everyone digging into the funk and singing along. Many of the songs are built on blues riffs or vamps, and when these guys start blowing it’s hard to sit passively during a hard-hitting groove like “Make Way for the Rebirth” or Dr. John’s “Mardi Gras Day.” – Mike Shanley, JazzTimes

Kermit Ruffins Bio

“And We Live!”

From playing himself in the HBO Series Treme, to barbecuing outside his bar, Kermit’s Treme Mother-in-Law Lounge, to sitting in with Jon Batiste and Stay Human on The Late Show with Stephen Colbert, the trumpeter/vocalist keeps himself busy when he isn’t on stage doing what he does best—entertaining and sharing his love of life with the world. Ruffins continues making his imprint on the world with wider exposure including appearances on Bravo’s Top Chef and on the soundtrack to Disney’s Jungle Book with Bill Murray and Christopher Walken. He personifies the laid-back vibe of New Orleans.

But he did not come by his gifts easily. Ruffins did his homework and developed his stage persona and musical act by studying artists who came before him. He watched videos of Louis Armstrong and Cab Calloway until the tape wore out, cut his teeth busking the streets of the French Quarter, and apprenticed on stages with local legends “Uncle” Lionel Batiste and Danny Barker.

Consider his lengthy musical career. While still in high school, he co-founded the Rebirth Brass Band – a group that revolutionized the brass band community in New Orleans with songs like “Do Watcha Wanna” that have become anthems. Rebirth’s growth and success bolstered the rejuvenation of the New Orleans second-line culture that now flourishes.

Still, after less than a decade fronting the band and touring the world, Ruffins tired of the road. He missed the culture at home so much that he traveled, like fellow New Orleans icon Fats Domino, with cooking equipment and prepared his favorite foods in hotel rooms far and wide. 

He made a bold and risky decision to leave Rebirth and go solo, having no guarantees the public would embrace his new direction. At the time there were very few young musicians playing traditional jazz. Nearly all the backing musicians on his first album were decades older.

Now, Kermit Ruffins and the Barbecue Swingers are a beloved institution – a must-see for every New Orleans visitor and a favorite of local critics and music lovers. As he’d helped spur the formation of new brass bands in his 20s, he’s since influenced the city’s musical direction in the 21st century. Dozens of young musicians and bands are essentially playing the same music Ruffins pioneered with his solo act. They sing into retro microphones, dress in dandy suits and perform the timeless tunes that defined a decades-past era.

Yet Ruffins has not been content to remain musically static. His live show has included elements of hip-hop since his days with Rebirth. He began rapping on albums long before it was commonplace for jazz musicians to have hip-hop influences. 

It’s not the first time he’s taken musical chances. He had a short-lived progressive jazz band that experimented with arrangements of songs from the 1970s. His 2009 album, Livin’ A Tremé Life, included a version of Johnny Nash’s monster 1972 hit “I Can See Clearly Now.” It also had songs reflecting Ruffins’ deep roots in the R&B of the Crescent City, like Allen Toussaint’s “Holy Cow.”

In the ’90s, Ruffins fronted a big band with arrangements from great maestro Wardell Quezergue. He stocked the band with superior local musicians and the performances were on par with great bands of the ’40s, updated to reflect Ruffins’ effervescent personality. His 2010 release, Happy Talk, revisited that territory with a full horn section and sumptuous arrangements of tunes like “If I Only Had a Brain” (from The Wizard of Oz) and the Louis Armstrong hit “La Vie En Rose.”

With over fifteen albums to his credit including live albums capturing his inimitable stage presence (1998’s The Barbecue Swingers Live and 2005’s Live at Vaughan’s), a collaboration with his Rebirth Brass Band brethren (2005’s Throwback), a holiday album (Have A Crazy Cool Christmas [2009]), an homage to New Orleans’ traditional jazz (We Partyin’ Traditional Style! [2010]), the party-anthem packed #imsoneworleans  (2015), and his most recent release, A Beautiful World, an ambitious collaboration with Irvin Mayfield, the New Orleans trumpeter shows no signs of slowing down.

2017’s A Beautiful World finds the trumpeter/vocalist partnering with long-time labelmate Irvin Mayfield in the centerpiece release for Basin Street’s 20th anniversary celebration. The two most recorded Basin Street artists bring in the assistance of nearly 60 musicians including several New Orleans legends in an album that seeks to capture the inimitable soul of Ruffins with tunes ranging from the Bobby McFerrin classic “Don’t Worry Be Happy” to Ruffins classics like “Good Morning New Orleans” to straight-up bounce tracks like “Trumpet Bounce.”

Every year Ruffins ebullient attitude and love of his hometown music firms his reputation as the New Orleans idol. Dedicated to preserving and passing on the tradition of jazz, he is often compared to his own hero, Louis Armstrong.

On his likeness to “Satch” Kermit says, “That’s someone who really, really led one of America’s true art forms. He was really the cherry on top of New Orleans music. And now I see it being passed on to younger kids, and for me to have a role in that and to maybe do the things he did is so spiritual to me.”

Whether he’s slinging barbecue, adding to his collection of fedoras, or playing at one of his regular weekly shows, Kermit Ruffins does it with joy and passion, an example of what it means to be a true New Orleanian.

Rebirth Brass Band Bio
Hailed by the New York Times as “a New Orleans institution,” the Rebirth Brass Band have been at the forefront of the brass band revival that they helped kick off over 30 years ago. Formed by the Frazier brothers, Phil and Keith, along with Basin Street labelmate Kermit Ruffins in 1983, The Rebirth Brass Band has gone from playing on corners in the French Quarter to selling out concert halls across the world and appearing in David Simon’s HBO hit Treme. While committed to upholding the tradition of brass bands, they’ve also extended themselves into the realms of funk and hip-hop to create their signature sound. “Rebirth can be precise whenever it wants to,” says The New York Times, “but it’s more like a party than a machine. It’s a working model of the New Orleans musical ethos: as long as everybody knows what they’re doing, anyone can cut loose.” It perhaps can’t be put more simply than in the words of Red Hot Chili Peppers bassist, Flea, “Just saw THE REBIRTH BRASS BAND, unbelievable. Hard as hell, free as a ray of light, there is not a band on earth that is better. Stunning.”
No band exemplifies the essence and soul of New Orleans like Rebirth Brass Band.