top
Kristallen

Kristallen

Nils Landgren & Jan Lundgren

Label: ACT music
Format: CD
Barcode: 0614427962829
barcode
Catalog number: ACT 96282
Releasedate: 10-01-20
- Available on CD and Vinyl
- Produced by the artists
The sound world of “Kristallen” relishes the moment when the surfaces and edges of crystals shimmer and cast off unexpected colours. There is a certain stillness, and also room for the imagination to unfold. Magic with fragility. Nils Landgren and Jan Lundgren have a consistent vision of lyrical chamber jazz which flows gently and naturally. Rather than clamouring for our attention, this is music which reveals its true beauty the more attentively one listens.
 
The tone of the album is set from the opening track, “Blekinge”, a reminiscence of the tranquil part of Sweden from which Jan Lundgren hails. It is sublimely light yet thoughtful, a subtle musical language which draws on Swedish folk music and tinges it with jazz. The next track “Byssan Lull” follows on seamlessly: a solemnly intoned folk melody develops into a lively blues. “Hornlåtar” features delightful interplay between trombonist and pianist who take some of the traditional short horn calls from the Swedish tradition and subtly adapt them. This track brings back memories of the 1997 duo recording with Esbjörn Svensson, “Swedish Folk Modern”. Two other pieces also have a profound personal significance for Nils Landgren: “Olu” was on his album ”Gotland” (1996), recorded with Polish trumpeter Tomasz Stańko who died in 2018. Finally, “Värmlandsvisan” is a homage to Landgren’s native land. In addition to his own compositions, Jan Lundgren has included tunes by two inspirational pianists: “Country” by Keith Jarrett and “The Wedding” by Abdullah Ibrahim. To complete the selection, there are also pieces from the Great American Songbook and Beatles songs.
 
The wonderfully instinctive way in which Nils Landgren and Jan Lundgren interact could already be admired on the Leonard Bernstein tribute “Some Other Time”. Now with just the two of them, their sixth sense, their authentic feeling for the same musical styles is all the more evident. A Nordic spirit, deeply romantic emotions, impressionistic colouring and an affirmation of the American jazz tradition: all of these pervade “Kristallen” and bring a special magic to it. Through their deep affinity and their cohesion, this duo has meticulously shaped a radiant and many-hued musical diamond.
 

There is a synonym for the words diversity, curiosity and zeal: Nils Landgren. James Brown used to be considered the “hardest working man in showbusiness” and it now appears that the god of funk has bequeathed this title to a Swede who cheerfully travels the world with a bright red trombone. “Mr. Red Horn” swings brilliantly from one perspective to the next, also because he needs this constant change. Somehow, Nils Landgren, 55 years-old, also miraculously manages to divide his time – when he is not touring with his “Funk Unit” or other projects under his own name, he is very much in demand as a producer or talent scout. He passes his expertise on to students in Hamburg and Shanghai, advises the NDR Big Band on artistic matters (with which he also played as musician for several years), works with the versatile Swedish Bohuslän Big Band (most recently with arranger Colin Towns on “Don’t Fence Me In – the Music of Cole Porter” ACT 9028-2) and also compiles, as artistic director, the programme of the JazzFest Berlin (until 2011). “Even when I’m not bored it’s good for me to do several things at once so that I can have different perspectives as these change the way I sing and play the trombone and my audience also benefits from it,” he says.

For those who have been musically loyal to him for years, things never get boring. With Nils Landgren they have someone who feels as dedicated to the rich folklore tradition of his homeland as to the previously unheard. An idealist who ignores the boundaries between the genres and who has collaborated in joint projects with musicians such as Maceo Parker, Colin Towns, the Brecker Brothers, Airto Moreira, Till Brönner, Roy Hargrove, Fred Wesley, Steve Gadd, Richard Galliano, Michael Wollny, Joao Bosco, Benny Anderson (from ABBA), Viktoria Tolstoy, Joe Sample, Ray Parker Jr., Eddie Harris and Esbjörn Svensson and, in doing so, has continually broadened his horizons.

Landgren embodies not one but two souls. When the audience sees him with his “Funk Unit”, the Swede shows himself from his masculine and distinct, relentlessly grooving side and acts the jazz action hero. However, there is also a gentle melancholic, highly sentimental Nils Landgren. He can be seen during Advent time, for example, when the instrumentalist and singer celebrates “Christmas With My Friends” or on ballad albums like the current “The Moon, The Stars And You” (ACT 9505-2) as well as “Ballads“ (ACT 9268-2) and “Sentimental Journey” (9409-2) – in which he intones on the trombone with incomparable smoothness and his highly individual, fragile voice touches the heart and the soul with a remarkable sensibility.

Landgren came into contact with music already early on. He started playing the drums when he was only six years-old, the nightmare of all parents. It was when he was 13 years-old that Nils Landgren, born in 1956 in Degerfors, Värmland, under the star sign of Aquarius, realised his calling and changed to the trombone. Between 1972 and 1978, he gained a sound classical basis at various teaching establishments and quickly put these newly acquired technical skills on the trombone into practice, also in other areas. Encounters with folk jazz pioneer Bengt-Arne Wallin and trombonist Eje Thelin accelerated his musical career change. A change of location was also due and Nils Landgren moved to Stockholm where, within only a short time, he became known as the “man for all occasions”, a true one-off, someone who is able to stand out in almost any stylistic environment, a studio whizz. In 1981 he was taken on as the lead trombonist for the “Ball of Fire” project of the legendary Thad Jones which really proved to be a challenge. “After the first evening all I wanted to do was go home,” laughs Landgren. However, it is challenges like the one with Jones that made him such an accomplished musician, someone who is today not worried by new challenges. Bring them on!

The solo career of the man who has always gone right up to his limits and beyond, both musically and conditionally, has been going strong for almost thirty years. Nils Landgren’s debut, “Planet Rock” from 1983, marked the starting point of a very impressive discography including projects which could hardly be any more different from one another. The duo recordings, for example “Layers of Light“ (ACT 9281-2) and “Swedish Folk Modern” (ACT 9428-2) with pianist Esbjörn Svensson who tragically died far too young, as well as the album “Gotland” (ACT 9226-2), reveal someone who is very closely connected to their homeland, who moves through Scandinavian’s sound worlds, drifts into the ethereal and into the incomprehensible. On “Salzau Music On The Water” (ACT 9445-2) he met vibraphonist Christopher Dell and bassist Lars Danielsson on an installation on the water near Schloss Salzau and played ethereal sounds into time, a time during which night is falling asleep and the new morning is still yawing. The three were totally at one with nature during the recording.