- Sheila Arnold & Alexander-Sergei Ramirez are concentrating on a short period of music – The Biedermeier. Very usual combination of instruments for a charming music.
- Using period instruments, the copy of a Biedermeier Fortepiano and the “Biedermeier guitar, a special species with a smaller but mor charming sound as the concert guitar
- Sheila Arnold and Alexander-Sergei Ramirez are married, they found together especially over that combination of instruments during their time of studies.
Greetings from the Biedermeier times
PERSONAL NOTES by the artists
What was your first encounter with “historical” instruments?
Sheila Arnold [SA]: Everything began in the late 1990s, attending a masterclass at the Schleswig-Holstein Music Festival. There I met a handsome young guitarist from the class of Pepe Romero. The young guitarist, for his part, was not entirely uninterested in an Indian pianist from the class of Lev Naumov. Pepe soon realized what was going on. He gave Alexander the score of a piano/guitar duet and said: “Go and find a pianist!” The title was full of innuendo: “Papageno wants a sweetheart”.
Alexander-Sergei Ramirez [AR]: No sooner said than done! At least sometimes I did what my teacher told me.
Many years went by as a couple until we actually started making music together. The guitar and the piano are entirely autonomous harmonic instruments that do very well by themselves, or combine ideally with melody instruments.
SA: Our musical approaches are nonetheless quite similar. Eventually we did try out that duet by Mozart/Beethoven/Carulli – but on our modern instruments. Due to their entirely disparate sonorities, the musical liaison was doomed to fail. The piano had to play softly all the time, or not play at all; the guitar was constantly forced to sound as loud as possible. That couldn’t turn out well. Neither of us could elicit any trace of musical charm or start to make nuances in terms of timbre.
It became clear that these works were not conceived for the instruments we were playing
AR: Indeed! They were written in the early 1800s for fortepiano and Romantic guitar, also called “Biedermeier guitar”. Instruments in the 1810-1850 period were built much more intricately and minutiously than their more voluminous siblings of today.
(excerpts from the line notes)
1Eduardo e Cristina, Overture09:09
2Grand duo D-Dur / in D Major, Op. 70I. Moderato06:07
3Grand duo D-Dur / in D Major, Op. 70II. Largo01:40
4Grand duo D-Dur / in D Major, Op. 70III. Allegretto con poco moto. Andante con poco moto06:34
5Pot-Pourri pour Piano et Guitar, Op. 5310:03
6Il Barbiere di Siviglia, Overture07:25
7Variations on a theme from Mozart’s Die Zauberflöte, Op. 16909:23
8Introduction and Fandango06:43