Label: Challenge Classics
Format: CD
Barcode: 0608917200287
Catalog number: CC 720028
Releasedate: 23-10-26
Format: CD
Barcode: 0608917200287
Catalog number: CC 720028
Releasedate: 23-10-26
- Two revolutionary voices, one Opus 133 - Beethoven and Shostakovich connected across nearly 150 years
- The second chapter of Alma Quartet’s ambitious multi-year Late Quartets project.
- Beethoven’s radical Grosse Fuge - a work Stravinsky called “contemporary forever”
- From intimate grief to liberation - two deeply human works of extraordinary emotional range
- Performed by the acclaimed Alma Quartet, praised by magazines like Diapason for infusing Shostakovich with "mysterious and undeniably poetic tones"
- The second chapter of Alma Quartet’s ambitious multi-year Late Quartets project.
- Beethoven’s radical Grosse Fuge - a work Stravinsky called “contemporary forever”
- From intimate grief to liberation - two deeply human works of extraordinary emotional range
- Performed by the acclaimed Alma Quartet, praised by magazines like Diapason for infusing Shostakovich with "mysterious and undeniably poetic tones"
Alma Quartet continues its ambitious Late Quartets series by bringing together two extraordinary works that share more than the same opus number. Beethoven’s String Quartet No. 13, Op. 130, with the monumental Grosse Fuge, Op. 133, travels from dark humour and gentle melancholy to the profoundly moving Cavatina and a finale that was so radical in 1826 that audiences struggled to comprehend it. Nearly two centuries later, the Grosse Fuge still sounds astonishingly modern - music Stravinsky famously considered “contemporary forever."
Shostakovich’s String Quartet No. 12, Op. 133 forms a fascinating counterpart. Built around a twelve-tone series, it transforms an ostensibly modernist technique into music that is lyrical, emotional and surprisingly accessible. Its expansive second movement moves from fierce virtuosity and almost symphonic intensity towards a visceral, liberating conclusion. In Alma Quartet’s hands, these two Opus 133 worlds become part of a larger conversation across time - the second installment of their multi-year project pairing the late quartets of Beethoven and Shostakovich.
Shostakovich’s String Quartet No. 12, Op. 133 forms a fascinating counterpart. Built around a twelve-tone series, it transforms an ostensibly modernist technique into music that is lyrical, emotional and surprisingly accessible. Its expansive second movement moves from fierce virtuosity and almost symphonic intensity towards a visceral, liberating conclusion. In Alma Quartet’s hands, these two Opus 133 worlds become part of a larger conversation across time - the second installment of their multi-year project pairing the late quartets of Beethoven and Shostakovich.
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1String Quartet No. 13 in B-flat Major, Op. 130I. Adagio ma non troppo - Allegro14:12
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2String Quartet No. 13 in B-flat Major, Op. 130II. Presto01:58
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3String Quartet No. 13 in B-flat Major, Op. 130III. Andante con moto ma non troppo. Poco scherzoso06:58
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4String Quartet No. 13 in B-flat Major, Op. 130IV. Alla danza tedesca. Allegro assai03:30
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5String Quartet No. 13 in B-flat Major, Op. 130V. Cavatina. Adagio molto espressivo07:06
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6Grosse Fuge in B-flat Major, Op. 13317:44
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7String Quartet No. 12 in D-flat Major, Op. 133I. Moderato - Allegretto07:59
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8String Quartet No. 12 in D-flat Major, Op. 133II. Allegretto - Adagio - Moderato - Allegretto20:24

