Label: Challenge Classics
Format: CD
Barcode: 0608917200058
Catalog number: CC 720005
Releasedate: 06-06-25
Format: CD
Barcode: 0608917200058
Catalog number: CC 720005
Releasedate: 06-06-25
- After Pandolfi-Mealli's Sonatas (CC 72948), here is Eva Saladin's second contribution to Challenge Classics catalogue.
- We remain in the same realm, Italian full baroque vistruoso sonatas, but here we can maybe detect a higher standard of expressivity.
- Following Veracini’s suggestion, this is a personal selection of favourite movements from the twelve sonatas in the book.
- The result is a flowing programme with connecting tonalities and a clear dramaturgy.
- We remain in the same realm, Italian full baroque vistruoso sonatas, but here we can maybe detect a higher standard of expressivity.
- Following Veracini’s suggestion, this is a personal selection of favourite movements from the twelve sonatas in the book.
- The result is a flowing programme with connecting tonalities and a clear dramaturgy.
Florentine, born Francesco Maria Veracini (1690-1786), was considered one of the greatest violin virtuosos of his day. Periods of residence in London, Düsseldorf, Venice, and Dresden brought the eccentric musician international fame. Amongst his extensive output, his Sonate Accademiche Op. 2 (London/Florence 1744) for violin and basso continuo are the best known today. The character of the Sonate Accademiche is defined by a peculiar combination of the intellectual, the virtuosic, and the highly expressive. Despite the technically demanding writing for the violin, Veracini’s masterfully idiomatic approach to his own instrument means the virtuosity flows with a natural ease and playfulness. The Sonate Accademiche collection is vast in terms of its length and variety. The sonatas do not adhere to the standard forms of the day, such as the Italian sonata da camera or sonata da chiesa. Veracini himself in his own preface: "... two, or even three movements, chosen at one’s own discretion, are sufficient to form a sonata of appropriate length." Eva Saladin has applied Veracini’s approach to the entire book, which allows her to choose contrasting parts of sonatas and to highlight the most interesting features of the music by combining individual movements into a flowing programme with connecting tonalities and a clear dramaturgy.
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1Sonata XII Accademiche a Violino Solo e Basso Op. 2Passagallo16:39
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2Sonata XII Accademiche a Violino Solo e Basso Op. 2Capriccio Cromatico16:39
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3Sonata I Accademiche a Violino Solo e Basso Op. 2Capriccio Secondo16:39
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4Sonata IV Accademiche a Violino Solo e Basso Op. 2Largo16:39
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5Sonata IV Accademiche a Violino Solo e Basso Op. 2Menuet 171116:39
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6Sonata III Accademiche a Violino Solo e Basso Op. 2Ritornello16:39
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7Sonata III Accademiche a Violino Solo e Basso Op. 2Largo, e Nobile16:39
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8Sonata III Accademiche a Violino Solo e Basso Op. 2Capriccio Quarto16:39
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9Sonata VIII Accademiche a Violino Solo e Basso Op. 2Allegro16:39
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10Sonata VIII Accademiche a Violino Solo e Basso Op. 2Ritornello16:39
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11Sonata VIII Accademiche a Violino Solo e Basso Op. 2Giga16:39
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12Sonata XI Accademiche a Violino Solo e Basso Op. 2Capriccio VIII16:39
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13Sonata IX Accademiche a Violino Solo e Basso Op. 2Scozzese16:39
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14Sonata XII Accademiche a Violino Solo e Basso Op. 2Adagio, Ciaccona16:39